Playing with Ankara Fabric: Samuel Nnorom’s textile incantations of truth, conspiracy and identity

By George C. Odoh

Nnorom’s fast-rising profile and legitimate posturing as one of the most exciting contemporary Nigerian artists derive from the dynamic and fascinating landscape of his textile-based sculpture installations. The stylistic architecture of his art is firmly rooted in the culture of radical practice that foregrounds the art tradition of the Fine and Applied Arts Department of the University of Nigeria, Nsukka, where he is presently pursuing a Master of Fine Arts degree (MFA) in sculpture.

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